Trifold of terrific rock with tracks from 9 o'clock Nasty, Super Tuesday & Spathe

Raw, rapturous rock calls us home with music from 9 o'clock Nasty, Super Tuesday & Spathe. Listen to the expressive, textured music here with us:

9 o’clock Nasty-Playboy Driver (Supermix by Nick Mailing)

The rockers are back with a retro revisit. This supermix has its own charm, tying a lifetime worth of dynamite to a cannonball and launching it into deep space. The riff has its own spice, bringing that cinematic Mission Impossible-esque vibe to it. The boys chant the anthem like their lives depend on it, and it's good for ours lives do too. They’re bringing the playboy driver rpm to the song, the thumps and pumps are racked up for quite a raucous ride. First featured as a single with cool visuals-the trio have a way of shocking us with their tunes. This is a powerful prelude for what is to come, and it's going to be an incredible drive. Fortunately, we have a driver on payroll:

Super Tuesday-Soaking Up the Silence

Let’s keep the dose of positivity going. Super Tuesday is a melody dream of Alex Kisch, chiselling a work of art that represents his inspiration and thoughts. His latest single has that 80s sound with harmonic elements that represent the rays of the sun. It is the golden shine that will bring a smile to your face, synonymous with happiness. The Future Tense musician is able to weave poetic lyrics with simple songwriting-music that makes a mark on your daily life. It is that Tom Petty positivity that makes you want to keep returning to the song. A testament to the music that made so many musicians, come and soak up the silence with a sponge of symphony:

Spathe-Colourblind

We’re going metal, so come along. Spathe is a monochromic project in darkness, with slivers of light in marked territories. The solo project of Canadian musician Dyllan Himbeault-there are aspects to think and absorb in his music. There are pockets of unexpected melody that guide you like a dark north star. His vocals are soft, a contrast to the theme that he dives into in this particular song. The melodies are crisp and visible–rather than hide behind the mask of corrosive distortion. You can hear the depth of the tune, something that embroiders itself around Dyllan’s vocals. The instrumentals are surgical, inviting the melody into the poetry of the song and what it represents. Welcome to a whole new world of representation:

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